A study of, A still life of a quince, grapes, peaches, walnut and hazelnut on a ledge, After Harmen van Steenwijck.

Steenwijck was a painter from the Dutch Golden Age. He specialised in the vanitas style, a genre of memento mori which uses everyday objects to symbolise the transience of life, the inevitability of death, and thus the vanity of ambition and worldly desires.